COZIC
Les sept continents
A subtle, transformative gesture uniting landscape, colour, and shared humanity.
Description of the exhibition
Vêtir ceux qui sont nus [Dressing those that are naked] (1972–73) was a series of public interventions created by COZIC in a variety of urban and rural areas. Intended to bring care and attention to the surrounding natural environment, the works characterized the duo’s approach to artmaking by blurring the boundaries between art and real life. These installations also anthropomorphized trees, temporarily transforming them into beings imbued with a magic worth defending.
COZIC revisits this body of work with Les sept continents [The Seven Continents], building on a legacy of eco-conscious kinetic sculptural creation, investing the landscape with subtle yet transformative performative actions. Drawing on the French fairytale Le petit poucet (Hop-o’-My-Thumb) (1697) by Charles Perrault, the work treats seven trees at the Domaine de Maizerets like the seven lost children in the story, combining them with the notion of continents to speak of uniting people across the globe despite their differences. According to COZIC, the diversity of colours in the ribbons is a sign of strength, richness, and festivity.